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Common House Magazine

The Chameleon Dance

Nonso Morah

               Murtala Muhammed International Airport, Lagos, Nigeria 
 
It will begin the moment they land. 
 
The woman will grab the girl’s hand, pinch the

meat between her thumb and they will transform

into hunchbacks, umbilically connected by the 

duplicated marks on their left hip. 

​

A boy will appear, like a skittering savanna hare, 
marred with sleep lines from his mother’s bosom,
readied to adopt their lead for the coming hour. 
The mother will not protest, the girl will swallow

 

her tongue like a lozenge and tap upon the dead 
general’s sandstone to remind herself that 
he will always be below. 
               There are worse things to give up, she imagines. 

​

The boy will hoist his name upon his head and lead

them into dark light. Soon the people will call him

a rising sun, then he will forget the chest that

homed his coils amidst turbulent descent.  
 
Soon, he will float across the Niger River sprawled 
upon a raft stitched from remnants of deflowered bodies, 
then grow tired of that memory, purchase a fresh set 
of hind legs and offer himself to the race.

Nonso Morah is a spoken-word poet and community advocate originally from Edmonton, Alberta, and currently based in Ottawa, Ontario. She was the 2022 champion of Ottawa's “Spoken In The City Poetry Slam” and a finalist in the “2023 OG-500 Poetry Slam.” Nonso has performed nationally for organizations such as the National Gallery of Canada and RogersTV, and her work is published in Unbound: An Anthology of New Nigerian Poets Under 40. She is pursuing her degree at the University of Ottawa.

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